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Poet, Performer, Dancer, Storyteller, Yogini
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Tears on the floor
the morning sun rises
without you…
in every breath, I feel you
why does love hurt so bad?
Dawn,
when the curtain of the sky lifts,
pink bowing into blue
the time for day to debut
that was when little Bodhi
would follow me
into the living room
to sit on my lap
while I meditated
that is the hour
I will miss him most
Bless angels like Daniela
Yes, it hurts when your beloved pet dies
tears flow like a river that will not stop–
Yet, Daniela is there to steady your heart
to help you know
you have done what love requires
It is so comforting to know
that in this crazy world,
there are hands like Daniela
gentle, sure and full of grace
guiding a soul towards freedom
ending suffering and pain
closing a chapter
with dignity and tenderness
Bless Daniela,
as she carries Bodhi away
on a bed fit for a king
at peace already touching heaven
Goodbye little guy
we will miss you so much
Genie Nakano , April 10, 2026

Bodhi, 21 years old when he passed on…..

A Freeverse Poem
I married four times—
not counting the two men
I lived with like
commercial breaks between divorces.
Am I ashamed?
Well,
it’s not something I’d put on my résumé—
poet, dancer, runaway bride…
but hey,
I survived,
and this last one
is thirty-six years strong.
But when things go crooked,
when the house tilts,
when emotion floods the hallway,
my six-year-old self
packs her bags.
I say the words:
I’m leaving.
I want a divorce.
I’m out of here.
I run away like a child
in a woman’s body
with two hip replacements
and a stenotic spine,
still believing escape
is the only way she knows.
Once I ran so hard
I broke my whole damn foot—
three metatarsals,
clean through.
I crawled up the stairs,
breathing like an orgasm,
except there was no pleasure in it,
and called Hideki—and he rushed home
because that man
loves me,
even when I’m ridiculous.
How could I forget that?
Three months ago
I did it again.
Same story,
new reason—
something about Mary,
jealousy,
an open wound
still afraid of losing
what it loves.
And here I am,
seventy-seven and a half,
thinking:
next time I run away
I’ll be in a wheelchair,
rolling down the driveway,
thinking I’m free.
Why do I do this—
abandon before I’m abandoned?
It’s the math of childhood:
Mom disappears into a hospital at three.
Dad vanishes into a sanitarium at six.
Two years later—
separation, then divorce.
My heart learns subtraction
before it learns love.
Still, in the darkest rooms
there’s a flicker—
old stories rising,
old wounds humming,
a child holding her shoes,
ready to run.My identity
has danced every color:
White, Black, Puerto Rican.
Lovers spun me across continents
without leaving L.A.
One stole everything I owned.
One was a womanizer.
One I put through college.
I drifted between cultures,
thinking maybe somewhere else
I would finally belong.
And now—Hideki.
Sansei, like me.
Eighty-five next month,
his memory slipping.
We fight like teenagers,
love like elders—
slow, stubborn, rooted.
Sometimes I’m cruel.
Sometimes I forget
his stroke carved holes
in the sentences he tries to finish.
Sometimes I take that personally,
as if forgetting a sentence
means forgetting me.
Sometimes I ache
for a sharper mind
instead of the gentle, loyal heart
I already have.
And shame
sits beside me
like a cold cup of tea.
How can I be so cruel?But then—
late afternoon—
the sky turns pink,
then lavender,
then blue disappears,
and I remember:
Love is a practice—
a returning,
a staying.
I want to stay home.
I want to love this man.
I want to stop running from ghosts
that are no longer chasing me.
A new year is coming.
A new dawn.
A new way.
Maybe this time
I’ll keep my suitcase in the closet.
Maybe this time
I’ll let the child in me rest.
Maybe this next time.
I haven’t posted poetry in over a year, but I write almost every day now in free verse. I enjoy tanka, but free verse gives me more freedom. Each week, I perform and attend workshops at the World Stage in Leimert Park, where I learn from many talented spoken word artists and performers.
I hope to hear from you all soon.
Love and Peace,
Genie Nakano



