
taking wing in Torrance

Poet, Performer, Dancer, Storyteller, Yogini

A Freeverse Poem
I married four times—
not counting the two men
I lived with like
commercial breaks between divorces.
Am I ashamed?
Well,
it’s not something I’d put on my résumé—
poet, dancer, runaway bride…
but hey,
I survived,
and this last one
is thirty-six years strong.
But when things go crooked,
when the house tilts,
when emotion floods the hallway,
my six-year-old self
packs her bags.
I say the words:
I’m leaving.
I want a divorce.
I’m out of here.
I run away like a child
in a woman’s body
with two hip replacements
and a stenotic spine,
still believing escape
is the only way she knows.
Once I ran so hard
I broke my whole damn foot—
three metatarsals,
clean through.
I crawled up the stairs,
breathing like an orgasm,
except there was no pleasure in it,
and called Hideki—and he rushed home
because that man
loves me,
even when I’m ridiculous.
How could I forget that?
Three months ago
I did it again.
Same story,
new reason—
something about Mary,
jealousy,
an open wound
still afraid of losing
what it loves.
And here I am,
seventy-seven and a half,
thinking:
next time I run away
I’ll be in a wheelchair,
rolling down the driveway,
thinking I’m free.
Why do I do this—
abandon before I’m abandoned?
It’s the math of childhood:
Mom disappears into a hospital at three.
Dad vanishes into a sanitarium at six.
Two years later—
separation, then divorce.
My heart learns subtraction
before it learns love.
Still, in the darkest rooms
there’s a flicker—
old stories rising,
old wounds humming,
a child holding her shoes,
ready to run.My identity
has danced every color:
White, Black, Puerto Rican.
Lovers spun me across continents
without leaving L.A.
One stole everything I owned.
One was a womanizer.
One I put through college.
I drifted between cultures,
thinking maybe somewhere else
I would finally belong.
And now—Hideki.
Sansei, like me.
Eighty-five next month,
his memory slipping.
We fight like teenagers,
love like elders—
slow, stubborn, rooted.
Sometimes I’m cruel.
Sometimes I forget
his stroke carved holes
in the sentences he tries to finish.
Sometimes I take that personally,
as if forgetting a sentence
means forgetting me.
Sometimes I ache
for a sharper mind
instead of the gentle, loyal heart
I already have.
And shame
sits beside me
like a cold cup of tea.
How can I be so cruel?But then—
late afternoon—
the sky turns pink,
then lavender,
then blue disappears,
and I remember:
Love is a practice—
a returning,
a staying.
I want to stay home.
I want to love this man.
I want to stop running from ghosts
that are no longer chasing me.
A new year is coming.
A new dawn.
A new way.
Maybe this time
I’ll keep my suitcase in the closet.
Maybe this time
I’ll let the child in me rest.
Maybe this next time.
I haven’t posted poetry in over a year, but I write almost every day now in free verse. I enjoy tanka, but free verse gives me more freedom. Each week, I perform and attend workshops at the World Stage in Leimert Park, where I learn from many talented spoken word artists and performers.
I hope to hear from you all soon.
Love and Peace,
Genie Nakano





Golden Fan (Haibun)
This was my favorite fan… During menopause. Whenever hot flashes would arise – – I'd stand up peacock and wave a golden fan.
The sweat would pour down my face, roll down my chest, drip down and in circle, my nipples, and halt right there like a dripping, nursing goddess.
What a surge made you feel like something was really happening
And that Dewey flushed glow on your face – – like you just finished having – – oh, yes.
Well, now it's over. I miss those flashes of instant recognition and instant self-awareness. Now I'm on another phase.
Look. . .
A new moon
Rising