When the House Tilts

A Freeverse Poem

I married four times—

not counting the two men

I lived with like

commercial breaks between divorces.

Am I ashamed?

Well,

it’s not something I’d put on my résumé—

poet, dancer, runaway bride…

but hey,

I survived,

and this last one

is thirty-six years strong.

But when things go crooked,

when the house tilts,

when emotion floods the hallway,

my six-year-old self

packs her bags.

I say the words:

I’m leaving.

I want a divorce.

I’m out of here.

I run away like a child

in a woman’s body

with two hip replacements

and a stenotic spine,

still believing escape

is the only way she knows.

Once I ran so hard

I broke my whole damn foot—

three metatarsals,

clean through.

I crawled up the stairs,

breathing like an orgasm,

except there was no pleasure in it,

and called Hideki—and he rushed home

because that man

loves me,

even when I’m ridiculous.

How could I forget that?

Three months ago

I did it again.

Same story,

new reason—

something about Mary,

jealousy,

an open wound

still afraid of losing

what it loves.

And here I am,

seventy-seven and a half,

thinking:

next time I run away

I’ll be in a wheelchair,

rolling down the driveway,

thinking I’m free.

Why do I do this—

abandon before I’m abandoned?

It’s the math of childhood:

Mom disappears into a hospital at three.

Dad vanishes into a sanitarium at six.

Two years later—

separation, then divorce.

My heart learns subtraction

before it learns love.

Still, in the darkest rooms

there’s a flicker—

old stories rising,

old wounds humming,

a child holding her shoes,

ready to run.My identity

has danced every color:

White, Black, Puerto Rican.

Lovers spun me across continents

without leaving L.A.

One stole everything I owned.

One was a womanizer.

One I put through college.

I drifted between cultures,

thinking maybe somewhere else

I would finally belong.

And now—Hideki.

Sansei, like me.

Eighty-five next month,

his memory slipping.

We fight like teenagers,

love like elders—

slow, stubborn, rooted.

Sometimes I’m cruel.

Sometimes I forget

his stroke carved holes

in the sentences he tries to finish.

Sometimes I take that personally,

as if forgetting a sentence

means forgetting me.

Sometimes I ache

for a sharper mind

instead of the gentle, loyal heart

I already have.

And shame

sits beside me

like a cold cup of tea.

How can I be so cruel?But then—

late afternoon—

the sky turns pink,

then lavender,

then blue disappears,

and I remember:

Love is a practice—

a returning,

a staying.

I want to stay home.

I want to love this man.

I want to stop running from ghosts

that are no longer chasing me.

A new year is coming.

A new dawn.

A new way.

Maybe this time

I’ll keep my suitcase in the closet.

Maybe this time

I’ll let the child in me rest.

Maybe this next time.

Hello Again…

I haven’t posted poetry in over a year, but I write almost every day now in free verse. I enjoy tanka, but free verse gives me more freedom. Each week, I perform and attend workshops at the World Stage in Leimert Park, where I learn from many talented spoken word artists and performers.

I hope to hear from you all soon.

Love and Peace,
Genie Nakano

New Classes in Chi Gong and Yoga

Golden Fan of Menopause a video

The Golden Fan of Menopause, video taken by Rosie Sato performance at Torrance Library, 2023
Golden Fan (Haibun)
This was my favorite fan… During menopause. Whenever hot flashes would arise – – I'd stand up peacock and wave a golden fan.

The sweat would pour down my face, roll down my chest, drip down and in circle, my nipples, and halt right there like a dripping, nursing goddess.

What a surge made you feel like something was really happening

And that Dewey flushed glow on your face – – like you just finished having – – oh, yes.

Well, now it's over. I miss those flashes of instant recognition and instant self-awareness. Now I'm on another phase.

Look. . .
A new moon
Rising

George Saunders~on how to live an unregretting life…

Don’t be afraid to be confused. Try to remain permanently confused. Anything is possible.
George Saunders

I read this today and it seems George and I share the same sentiments. Here are excerpts from a tanka poem I wrote ten years ago. I feel the same way today. Thanks George.

insecurities
always keep me young
my mind
is always changing
indecision keeps me growing

In the end
I like it that way
which way do I turn
right left
I'm not sure
Genie Nakano,
from Soshite, a tanka series
Photo by Nadi Lindsay on Pexels.com